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` *===========================================================+++ ` |arsche.net sound-image-word http://www.arsche.net/index.html | *===========================================================+++ ` |Schreck Ensemble/Assembly - live electro-acoustic music- | `| http://www.schreck.nl/index.html | ` *===========================================================+++ ` |S T R A T I F I E R - a multi-dimensional controller- | `| http://www.stratifier.nl/index.html | ` *============================================================++

           •••                                                                                      L.S.

In de contemporaine muziekwereld staat de afgelopen tijd in het teken van verschillende fusies. Met succes zijn de ondersteunende organisaties zoals Donemus, Gaudeamus, Popinstituut en Kamervraag et al. gefuseerd in Muziek Centrum Nederland. Ook zijn de verschillende kantoren van Fonds voor de Scheppende Toonkunst en FPPM ondergebracht bij het Fonds voor de Podiumkunsten in Den Haag. Het is geenszins tegengevallen hoe deze ondersteunende organisaties nu samengevoegd zijn.





Aan de producerende en de onderzoekende kant van het muziekleven dreigen ook de nodige kortingen. In het geval van STEIM is dat een zeer spijtige vergissing.

STEIM staat al vele jaren aan de voorhoede van de electro-akoestische muziek in Nederland. Daar zijn de afgelopen tijd ook nog de experimentele visuele media bijgekomen. De ontwikkelingen op het gebied van nieuwe, interactieve media zijn nog steeds -zelfs meer dan voorheen- booming in de kunst.

Het advies dat STEIM hier in weinig vernieuwend zou zijn is zoals gezegd een vergissing. STEIM staat onverminderd internationaal in de top van de vernieuwende onderzoeksinstituten in de moderne muziek. Het is een bedevaartsoord voor allen die zich op de cutting edge van nieuwe media begeven.

Het wegbezuinigen van deze organisatie staat gelijk aan het schrappen van vernieuwing in de Nederlandse muziek. Dat kan geen beleidsmaker toestaan.

Ik vraag u met klem het advies te herzien en STEIM te beoordelen op haar ware, en gewaardeerde kwaliteiten.

Arnoud Noordegraaf componist, filmmaker directeur Inexcelsisvideo, productiestichting van film voor podiumkunsten.

Inexcelsisvideo produceerde films voor oa opera's van De Ned. Opera zoals After Life (Michel van de Aa, HF 2006), La Commedia (Louis Andriessen, Hal Hartley, HF 2008), en voor musici zoals Arnold Marinissen, Annelie de Man, Romain Bischoff, Jorge Isaac, het ASKO ensemble, ensemble-MAE, het Festival aan de Werf, Holland Festival, November Music, en vele anderen.

INEXCELSISVIDEO

audio visual productions for stage arts Singel 158 NL 1015 AH Amsterdam Netherlands +31 20 7531036 www.inexcelsisvideo.nl   •••                                                                                       Professor Atau Tanaka, DMA Chair of Digital Media School of Arts & Cultures Armstrong Building Newcastle University Newcastle Upon Tyne NE1 7RU, UK Council for Culture Postbus 61243 2506 AE The Hague The Netherlands May 22, 2008 To Whom It May Concern, I am writing in support of the Studio for Electro-Instrumental Music (STEIM) in Amsterdam and to vigorously make a case for why their survival and continuation is crucial to The Netherlands’ international reputation in art & technology.

I first heard the music by composers of STEIM, Louis Andriessen, Dick Raaijmakers, and Michel Waisvisz, on CD when I was a student in California in the 1980’s. The physicality of this electronic music was unique, something I needed to see and feel.

While in Paris in 1993 I had the opportunity through a series of research exchanges with IRCAM at the Centre Pompidou to come to STEIM to realize my work.

I later became one of the artistic co-directors of STEIM (2007), and was delighted to be able to give back to an institution that had so generously given to me. This programme of rotating directorships is unique in the field, and assures fresh views and continued artistic pertinence in a shifting cultural landscape.

Today is indeed a turning point for STEIM – but a good one – the innovations made there over the years are today in the mainstream: the Cracklebox is precursor of today’s DIY movement, SensorLab technology is in the hands of all youth with the Nintendo Wii Remote, Image/ine and LiSa software anticipated commercial A/V performance software like Ableton Live, and accelerometer sensors are now built into Apple’s iPhone.

STEIM carries out this innovation with a discretion, modesty, and human scale that is classically Dutch. Its reputation has grown internationally through the quality of its work and not through trend-watching or marketing. It is an area in which more and more young artists are becoming interested. STEIM is not only a cornerstone in this history, but continues to be a driver in its continued development.

Sincerely, Atau TanakaTo Whom it May Concern,

I am writing this letter in support of STEIM in Amsterdam, NL. STEIM is an extremely important research/resource organization for creative/experimental music in Amsterdam as well as internationally. I understand that their funding has been placed in danger and I hope that this letter can make a small contribution to helping it stay alive with continuing financial support from the Dutch government.



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