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The Romance of the Swag

Lawson, Henry (1867-1922)

A digital text sponsored by

Australian Literature Electronic Gateway

University of Sydney Library

Sydney

http://setis.library.usyd.edu.au/ozlit

© University of Sydney Library.

The texts and Images are not to be used for commercial purposes without

permission

Source Text:

Prepared from the print edition published by Angus and Robertson,

Sydney 1924

All quotation marks are retained as data.

First Published: 1907

Languages:

Australian Etexts 1910-1939 short stories prose fiction The Romance of the Swag by Author of Winnowed Verse, Humorous Verses, Popular Verses, and (in prose) While the Billy Boils, Joe Wilson, Joe Wilson's Mates, Over the Sliprails, On the Track, and Send Round the Hat.

Sydney Angus and Robertson Contents

THE ROMANCE OF THE SWAG 1

THE BUSH FIRE 11

THE HOUSE THAT WAS NEVER BUILT 28

BARNEY, TAKE ME HOME AGAIN 47 A DROVING YARN 61 GETTIN' BACK ON DAVE REGAN 67 SHALL WE GATHER AT THE RIVER? 82 HIS BROTHER'S KEEPER 102 THE STORY OF GENTLEMAN-ONCE 132 GHOSTS OF MANY CHRISTMASES 155 The Romance of the Swag The Romance of the Swag The Australian swagman practises the easiest way in the world of carrying a load. I ought to know something about carrying loads: I've humped logs on a Selection, and loads of posts and rails and palings out of steep, rugged gullies (and was happier then, perhaps); I've carried a shovel, crowbar, rammer, and a dozen insulators strung round my shoulders with raw flax—to say nothing of soldering-kit, tucker-bag, billy and climbing spurs—all day on a telegraph line in New Zealand, often in places where a man had to manage his load with one hand, and help himself climb with the other; and I've helped drag telegraph poles up cliffs and sidlings where the horses couldn't go.

I've carried a portmanteau on dusty roads in the green old early days. Ask any actor who's been stranded and had to count railway sleepers from one town to another—he'll tell you what sort of load a portmanteau is when there's a broken-hearted man underneath it. I've tried loads knapsackfashion—one of the most likely to give a man sores; I've carried my belongings in a three-bushel sack slung over my shoulder—blankets, tucker, spare boots, and poetry all lumped together. I've tried carrying a load on my head, and got a crick in my neck and spine for days. I've carried a load on my mind that should have been shared by editors and publishers. I've helped hump luggage and furniture up to, and down from, a top flat in London. I've carried swag for months Out Back in Australia— and, by comparison, it was life, in spite of its hardship—and a free life, among men from all the world over! I've carried babies, which are the heaviest and most awkward and heart-breaking loads for boy or man to carry. God remember mothers who slave about the house with a heavy, squalling kid on one arm!

The Australian swag was born of Australia and no other land—of the Great Lone Land of magnificent distances and bright heat; the land of Selfreliance, and Never-give-in, and Help-your-mate. The grave of many of the world's tragedies and comedies—royal and otherwise. The land where a man out of employment might shoulder his swag in Adelaide and take the track, and years later walk into a hut on the Gulf of Carpenteria, or never be heard of any more, or be found in the Bush and buried by the mounted police, or never found and never buried—what does it matter?

The land I love above all others—not because it has been kind to me, but because I was born on Australian soil, and because of the foreign father who died in the ranks of Australian pioneers, and because of many things.

Australia! my country! her very name is music to me. God bless Australia!

for the sake of the great hearts of the heart of her! God keep her clear of the old-world shams and callous commercialism! and Heaven send that, if in my time her sons are called upon to fight for her, I may die in the front rank, and be buried in Australian ground.

In the old digging days the knapsack, or straps-across-the-chest fashion, was tried, but the load pressed on a man's chest and impeded his breathing—and a man needs to have his bellows free on long tracks in hot, stirless weather. Then the horse-collar, or rolled military overcoat style— over one shoulder and under the other—was tried, but it was too hot for the Australian climate, and was discarded along with Wellington boots and leggings. Until recently, Australian city artists and editors knew as much about the Bush as Downing-street knows about the British colonies in general and seemed to think the horse-collar swag was still in existence;

and some artists gave the swagman a stick, as if he were an Old Country tramp with one eye on the backyard and the other on the dog. English artists, by the way, seem firmly convinced that the Australian Bushman is born in Wellington boots, and that they have a polish on 'em you could shave yourself by.

The swag is usually composed of a “fly” or strip of calico (a cover for the swag, and a shelter in bad weather—in New Zealand it is of oilcloth or waterproof twill), a couple of blankets, blue by custom and preference (hence the name “bluey” for swag), and the core is composed of spare clothing and small personal effects. To roll up your swag: lay the fly or strip of calico on the ground, blueys on top of it; across one end, with eighteen inches or so to spare, lay your spare trousers, shirt, etc., folded, light boots tied together by the laces toe to heel, books, bundle of old letters, portraits, or whatever little knick-knacks you have or care to carry, bag of needles, thread, pen and ink, spare patches for your pants, bootlaces, etc. Lay or arrange the pile so that it will roll evenly with the swag (some pack the lot in an old pillowslip or canvas bag), take a fold over of blanket and calico the whole length on each side, so as to reduce the width of the swag to, say, three feet, throw the spare end, with an inward fold, over the little pile of belongings, and then roll the whole to the other end, using your knees and judgment to make the swag tight, compact and artistic;





when within eighteen inches of the loose end make an inward fold in that, and bring it up against the body of the swag. There is a strong suggestion of a roly-poly in a rag about the business, only the ends of the swag are folded in, in rings, and not tied. Fasten the swag with three or four straps, according to judgment and the supply of straps. To the top strap, for the swag is carried (and eased down in shanty bars and against walls or verandah posts when not on the track) in a more or less vertical position— to the top strap, and lowest, or lowest but one, fasten the ends of the shoulder strap (usually a towel is preferred as being softer to the shoulder), your coat being carried outside the swag at the back, under the straps. To the top strap fasten the string of the nose-bag, a calico bag about the size of a pillowslip, containing the tea, sugar and flour bags, bread, meat, baking powder, salt, etc., and brought, when the swag is carried from the left shoulder, over the right on to the chest, and so balancing the swag behind.

A swagman can throw a heavy swag in a nearly vertical position against his spine, slung from one shoulder only and without any balance, and carry it as easily as you might wear your overcoat. Some Bushmen arrange their belongings so neatly and conveniently, with swag straps in a sort of harness, that they can roll up the swag in about a minute, and unbuckle it and throw it out as easily as a roll of wall-paper, and there's the bed ready on the ground with the wardrobe for a pillow. The swag is always used for a seat on the track; it is a soft seat, so trousers last a long time. And, the dust being mostly soft and silky on the long tracks Out Back, boots last marvellously. Fifteen miles a day is the average with the swag, but you must travel according to the water: if the next bore or tank is five miles on, and the next twenty beyond, you camp at the five-mile water to-night and do the twenty next day. But if it's thirty miles you have to do it. Travelling with the swag in Australia is variously and picturesquely described as “humping bluey,” “waltzing Matilda,” “humping Matilda,” “humping your drum,” “being on the wallaby,” “jabbing trotters,” and “tea-and-sugar burglaring,” but most travelling shearers now call themselves trav'lers, and say simply “on the track,” or “carrying swag.” There you have the Australian swag. Men from all over the world have carried it —lords and low-class Chinamen, saints and felons, martyrs and murderers, educated gentlemen and boors who couldn't sign their mark, men who fought for Poland and convicts who fought the world, and more than one woman disguised as a man. The Australian swag has held in its core letters and papers in all languages, the honour of great houses, and more than one national secret, papers that would send highly-respected men to jail, and proofs of the innocence of men going mad in prisons, life tragedies and comedies, papers that secured titles and fortunes, and the last pence of lost fortunes, life secrets, portraits of mothers and dead loves, pictures of fair women, heart-breaking old letters written long ago by vanished hands, and the pencilled manuscript of more than one book which will be famous yet.

The weight of the swag varies from the light rouseabouts' “bluey,” containing one blanket and a clean shirt, to the “royal Alfred,” with tent and all complete, and weighing part of a ton. Some old sundowners have a mania for gathering heart-breaking loads of rubbish which can never be of any possible use to them or anyone else. Here is an inventory of the swag of an old tramp who was found lying on his face on the sand, with his swag on top of him, and his arms stretched straight out as if he were embracing the Mother Earth, or had made, with his last movement, the Sign of the Cross to the blazing heavens:— Rotten old tent in rags. Blue blanket, patched with squares of red calico.

Half a white blanket, nearly black now, patched with bits of various material and sewn to half a red blanket. Three-bushel sack slit open. Pieces of sacking. Part of a woman's skirt. Two ancient pairs of moleskin trousers.

One leg of a pair of trousers. Back of a shirt. Half a waistcoat. Two tweed coats, green, old and rotting, and patched with calico, blanket, etc. Large bundle of assorted rags for patches. Leaky billy can, containing fishingline, papers, suet, needles and cotton, etc. Jam tins, medicine bottles, corks on strings, to hang to his hat to keep the flies off (a sign of madness in the Bush, for the corks would madden a sane man sooner than the flies could).

Three boots of different sizes, all belonging to the right foot, and a left slipper. Coffee-pot, without handle or spout, and quart-pot full of rubbish—broken knives and forks, with the handles burnt off, spoons; and many rusty nails, to be used as buttons, I suppose. Broken saw-blade, hammer, broken crockery, old pannikins, small rusty frying-pan without a handle, children's shoes, bits of old boot leather and green hide, part of yellow-back novel, mutilated English dictionary, grammar and arithmetic book, a ready reckoner, a cookery book, a bulgy Anglo-foreign dictionary, part of a Shakespeare, book in French and book in German, and a book on etiquette and courtship. A heavy pair of blucher boots, with uppers parched and cracked, and soles so patched (patch over patch) with leather, boot protectors, hoop iron and hob nails that they were about two inches thick, and weighed over five pounds. (If you don't believe me go into the Melbourne Museum, where, in a glass case in a place of honour, you will see a similar pair of bluchers labelled “An Example of Colonial Industry.”) And in the core of the swag was a sugar bag tied tightly with a whip-lash, and containing another old skirt, rolled very tight and fastened with many turns of a length of clothes-line, which last, I suppose, he carried to hang himself with if he felt that way. The skirt was rolled round a small packet of old portraits and almost indecipherable letters—one from a woman who had evidently been a sensible woman and a widow, and who stated in the letter that she did not intend to get married again as she had enough to do already, slavin' her finger-nails off to keep a family, without having a second husband to keep. And her answer was “final for good and all,” and it wasn't no use comin' “bungfoodlin”' round her again. If he did she'd set Satan on to him.

The widow's letter commenced “Dear Bill,” as did others; but they were addressed from no place in particular, and there were no envelopes, so there weren't any means of identifying the dead man. The police buried him under a gum, and a youthful trooper cut on the tree the words—

SACRED TO THE MEMORY OF

BILL, WHO DIED.

The Bush Fire I.—Squatter and Selector Wall was a squatter and a hard man. There had been long years of drought and loss, and then came the rabbit pest—the rabbits swarmed like flies over his run, and cropped the ground bare where even the poor grass might have saved thousands of sheep—and the thin rabbits cost the squatter hundreds of pounds in rabbit-proof fences, trappers' wages, etc., just to keep them down. Then came arrangements with the bank. And then Wall's wife died. Wall started to brood over other days, and days that had gone between, and developed a temper which drove his children from home one by one, till only Mary was left. She managed the lonely home with the help of a half-caste girl. Then, in good seasons, came the selectors.

Men remembered Wall as a grand boss and a good fellow, but that was in the days before rabbits and banks, and before syndicates and pastoral companies began to oust the good old breed of squatter.



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